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    • When Rosa is ex pected to hand her bo ss the suntan l otion on a deer hunt, t his feel s like a  sign. Don Rey naldo’s ran ch is ab out to celeb rate its  farm anniversar y, but this passionate h unter’s image i s built on a lie. And  so, here in the countrysi de, wh ere men are men, emplo yees are gratef ul subjec ts and  women diligen tly and docilel y hold it  all toget her, cracks be gin to appear i n the soci al life of this microco sm. Ord ered around day in an d day out, u nnoticed by tho se in her cl ass-cons cious surroun dings, the m enial Rosa gra dually be comes an ag ent of cha nge. Whil e Don Reynald o’s extend ed family c ontorts its elf in a bid  to save the old ord er, men begin  to arrive at the farm  in pickup t rucks. T heir appearan ce at the fea st and  a threat are e nough to mak e the ag eing patriar ch fear for  his life and  his family –  and force him t o act. All  that passes is observed by the an imals who, either as t rophies on the  wall or  as livestock  out to pas ture, seem  to sense  the end of an old hegemo ny. With a keen  sense of ho w to dep loy ome ns that heral d change, Ale jandra Márquez  Abella portray s an epoc hal shift in r ural Me xico – as se en by ch aracters  who are usually re legated t o passive sup porting rol es.

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