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詳細介紹：The issue of War widow repr esentation in Israel i cinema is one of the mo st complex for the local ind ustry for i t seems t o be unique and with a ver y local and specific iconogr aphy. The war Widow i s a difficult charact er to d igest. Because this is an especially painful topi c in Israe l, its mode of represen tation is almost al ways prob lematic. Gil a Almagor in T ofano&#3 9;s &quo t;siege& quot; is one of the first chara cters o f the &quo t;modern&qu ot; war w idows to appe ar on Israeli cinema screens. The h uman and social c omplexity of the status of widows was not represented ad equately and pe rsonally until her com plex and fine app earance i n this film. It wa s mostl y Precede d by cliche s of heroic women who ha ve sacrificed for the n ation with char acters to which it was very dif ficult to get attache d, nor to their personal grief. & ;quot;Siege " was direct ed by an unknow n Italian director of th at period. Al though Gilberto Tofa no was broug ht as a professional d irector on the wings of inspi ration ma de by th e French Ne w Wave of tho se years , he mana ged to turn out a very exci ting work w hich has c aught th e Israel i warmt h and sense of social siege which su rrounds t he Israel i widows, in cluding the gre at expe ctations f rom them and the social stigmas. To fano wrapp ed his leading lad y with lots of warmth an d gave a plac e of hono r to Almagor &#39 ;s impres sive presence in the film. Thi s is witho ut a doubt one of Almagor& #39;s best and most accurate performances. The restr aint in her performan ce plus th e shooting and expressive use of angles by Tofano a nd his soft E uropean touch which was fa r off from t he aggr essive local pr oduct ma naged to pro duce a sens e of docu menting an aut hentic tr agedy with a tangib le personal tou ch that minimized the national dimension . The re sult sta nds the test of time proud ly several de cades aft er its creation.詳情